Silver Bay Holiday Residence In Shelley Point, South Africa

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Jane Mullock
Jane Mullock
I'm Jane, a writer fascinated by houses. My stories are about the magic of homes and the people in them. Let's explore the secrets and joys houses hold, and discover the amazing stories behind every door. Come join me on this house-loving adventure!

Built for a young family in Shelley Point, South Africa, the Silver Bay Holiday residence is an outstanding house built at an outstanding location. It was designed by SAOTA and the expert interior architects at Antoni Associates, and it faces the beautiful Stompneusbaai village as well as the Helena Bay, which is the home of marine life such as Southern Right Whales and Heaviside Dolphins.

The home’s main entrance is at an elevated position and leads directly to the upper level, which includes the main living areas such as the living room, the kitchen, the dining area and a pool courtyard. The lower floor comprises the bedrooms and a playroom, all of which benefit from utmost privacy. The en-suites and the bedrooms are separated by glass walls that create the illusion of extra space. The two levels are connected by a staircase that features Eucalyptus planks as steps.

From the architect:

The site is positioned at Shelley Point on the West Coast Peninsula Uniquely for the West Coast, the site faces East over the bay looking towards the mountains behind the small Swartland town of Aurora.

The design is largely formed by three contextual conditions. The first is the elevated entrance which placed the living spaces on the upper level and the bedrooms and playroom on the lower level. This decision allowed the living spaces to maximise the views of the bay and to see the water’s edge. The second issue is the prevailing South-Easterly wind. The challenge here is that the views are in this direction and a large set of glazed sliding doors allows the maximum view. The third major issue is the sun on the North side. The response to this and to the South-Easterly wind was to position the pool in a courtyard on the Northern face that captures sun for the house and also creates a wind free outdoor space that can be enjoyed year round regardless of the wind.

The upper floor has been conceptualised as a single space holding the pool courtyard, an elevated entrance hall, a kitchen with a large table and a dining and living space on the East edge. The L-shaped space is broken up by level changes which create distinctly different spaces. A conical flue made from Corten steel forms a visual element around which the spaces pivot, the rusted surface reflecting the coastal environment.

The thatched roof is supported on a perimeter I-beam. The timber tie beams of the thatched roof are replaced by steel tie rods that allow the open volume of the roof to form the top of the space, the woven thatching grass and the latter forming a counterpoint to the granite floors.

A curved Corten ‘hat’ sits over the braai flue and watches over the pool courtyard, a playful companion for the Corten cone that sits on the other side of the courtyard. The North face of the courtyard is formed by a timber wall. On the lower level, the off-shutter concrete slabs form the ceiling. The slabs retain rust marks from the steel that was laid in the slab and the chalk markings of the contractor.

The simple cellular bedrooms have a serrated façade that allows for corner glazing to maximise views. The curtain track was cast into the slab with a radiused corner that creates a cave-like space at night when the curtains are closed. Simple glass walls separate the en-suites from the bedrooms, allowing the two spaces to share a larger volume. The stair connecting the two levels is also made from I-beams with 75mm thick Eucalyptus planks forming the treads.

A holiday home for a young family that could be enjoyed by an extended circle of friends and family – an internal environment that maximises the view.

Architects: SAOTA
Location: Shelley Point, St Helena Bay, South Africa
Design Team: Greg Truen, Yusuf Vahed, Mark Rielly, Ashleigh Gilmour, Silvia Eigelaar
Project Year: 2010
Photographs: Adam Letch, Enda Cavanagh

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