The Copper House represents a blend of modern and classic architecture, and it was completed in 2004 by a company called Charles Rose Architects. The home was the subject of a massive renovation project that involved the merger of an older three-story Colonial residence with a modern two-story construction. The materials used in the renovation process are of the utmost quality: bamboo, rosewood, beech, patinated stainless steel, bright copper, cedar and mahogany.
The first floor of the Copper House includes the living and dining areas as well as the kitchen and a master bedroom, while the second level incorporates separate offices for the owners. The formal entryway boasts a 3-story atrium as well as six skylights that provide ample natural illumination.
The living room flaunts a small fireplace as well as comfortable white sofas that contrast nicely with the high quality wooden floors. All in all, this is a fantastic abode to inhabit, especially since it ensures contemporary, luxurious living conditions in the middle of nature.
From the architect:
Materials: Bright copper;cedar; painted steel; mahogany and Alaskan yellow cedar windows; flagstone; beech; bamboo; rosewood; patinated stainless steel.
Scope: Major addition, renovation. Contemporary two-story bar joined to existing three-story Colonial; on 1st floor new kitchen, dining and living space; master bedroom and individual offices for couple on 2nd; renovation of spaces adjoining addition to match open, contemporary feel.
Charles Rose Architects rarely work on renovations. In this case, the original house was a Colonial box with vinyl siding; it was poorly sited, and a garage cut it off from a spacious yard. Yet it had charm: cozy rooms, a downstairs bedroom suite, and ample usable space. The project called for—in essence—adding a house to the existing house, and the complexity and challenge proved too hard to resist.
Our design created a slot for the addition by demolishing the garage and using surplus driveway space. This move anchored the new house in the landscape while ensuring that it wouldn’t eat up valuable green space, despite its large scale. The most challenging aspect was one of fit: by style and scale. Stylistically, we were marrying a modern glass and copper house to a Colonial. Moreover, integration was daunting: the high-ceilings and open volumes of the planned addition did not align with the Colonial’s tighter and more compressed spaces.
To confront the central challenge—of stitching together old and new—we used strategies that both hid and heightened transitions. Outside, we put a new wrapper on the Colonial: a cedar box. We kept practically everything as it was: window frames became sculptural indentations; old panes were replaced with single sheets of glass. Inside, we put a three-story atrium, topped by six large skylights – where old and new meet. We made this the formal entryway: The front door leads visitors into a small vestibule that opens into the atrium. A steel-and-glass stair climbs from the stone atrium floor to upper level of the addition. A second sculptural stair—a steel-and-glass bridge—crosses the atrium and links the second floors in the addition and the Colonial, heightening the contrast. A curtain wall of glass runs the length of the kitchen and living spaces, bringing the outdoors inside. The plan is open; the ground-floor stair, granite dining room server and bluestone fireplace are designed to delineate room areas.
Architects: Charles Rose Architects
Location: Belmont, MA, USA
Project Year: 2004
